Use those situations to drop in some exposition, not some long car ride scenes. Prison Breakis good with action and high tension situations. I know we’ve got to establish the political situation in the country but I would have much rather seen them talk about these things while trying to rescue the girls. Like the first episode it took awhile to get rolling. As it stands, Sara’s plot didn’t really work until the very end which I’ll get to it in a bit. If this plot can be turned around into a bigger message about how our society views facts, that would be super timely and I would applaud them for it. The official record, history, says otherwise.” There’s some deep cut commentary right there, how memory can easily be altered by so called “facts” or the records. Kellermen makes a 2deep4me comment related to Michael’s record being changed to Kaniel Outis, “That’s just a memory. There’s at least one good element to their scenes. Unless there’s a bigger cover up going on here (which hey, there could be!) you actually thinking Michael did all those things is… pretty outlandish.
Maybe it’s that Kellermen is being needlessly evasive about the whole thing. Maybe it’s just the fact Sara and Kellermen sit around talking for most of their scenes. So yeah, I was never a huge Veronica fan in case you were wondering. It was always about the brothers facing these seemingly insurmountable obstacles that made the show work for me. The government plots just never did it for me. While the reintroduction of Kellermen was a nice surprise (I haven’t been following the casting announcements) their scenes feel way too much like the weaker parts of season one. I was never the biggest fan of her character (or her lack of chemistry with Michael) but I was ready to give her a chance this season.
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